Categories
colour environment vision visual stress

What the eye doesn’t see

This piece by Ryodi Ikeda : point of no return, a pulsating stroboscopic sound and light installation, appears to be monochrome. However images captured digitally reveal a more nuanced colour spectrum.

It is suggested that the human eye is capable of perceiving between 2 and 3 million colours, whereas birds, butterflies, fish and bees can see many more. Jennings explains that this is related to a difference in number of photoreceptors or cones. Humans with three cones are trichchromats whereas the birds and bees have four and are tetrachromats. Research on gender differences colour perception suggests that some women may also be tetrachromats. When contemplating the significant variety in our environments its intriguing to imagine what else might exist beyond our perception.

Categories
colour environment

“Our world suffers from colour anorexia” Hella Jongerius

Hella Jongerius has been researching and experimenting with colour for many years. She believes that ” our world suffers from colour anorexia. My mission is to change that.” In her exhibition: Breathing Colour  these ‘Colour Catchers’ demonstrate and explore the changing behaviours of colour according to light and shadow and the phenomenon of metamerism – where the appearance of colours changes  according to  different lighting conditions.

Categories
aesthetics beauty environment nature

beauty in nature

Much is said about the beauty inherent in nature. Having lived in an inner city environment for decades – a chance to live next to fields and gardens brings  a constantly changing visual feast of growth and freshly blooming flowers. Although fleeting – the colour, the variety, the growth are qualities that are part of the pleasurable experience. As Neutra  (Survival Through Design ) has observed, nature may often be a source of inspiration for designers, but  in nature the appearance, its ‘beauty’ is indivisible from its structure and function rather than an additional surface level decoration. The form and appearance develop simultaneously as the plant grows.

 

Categories
environment perception personal space personalising space

experiencing absurdity

Aurelie Hoegy MacGuffins Installation aureliehoegy.com

Aurelie Hoegy‘s performances, films and installations explore the more eccentric aspects of our behaviour : ”  Behind the veneer of normality every person has a mysterious side that is waiting to surface. Everyone is full of life, passion and madness, visible or suppressed” . Her drawing illustrates her proposal for lamp with a 50 metre cable – an apt way to visualise the the inconvenience of everyday life.

 

Categories
aesthetics colour environment perception shape vision

environments that challenge

Arakawa and Gins challenge the value  environments that are easily accessible by asserting that health and wellbeing is maintained by living in more challenging environments.  They collaborated to create a variety of environments that use features including vibrant colour, obstacles and uneven floors to create barriers in the environment as a deliberate means to challenge the user. Their thesis : Reversible Destinies, asks Could Architecture Help You Live Forever? proposes  that by stimulating our senses to a conscious experience,  architecture can be a means to extend life indefinitely.

Categories
environment personal space

objects as solidified habits

 

Simone de Beauvoir observes that there is an increasing reliance on routines and habits as we grow older, that she attributes to a means of experiencing everyday life in the present, to avoid being reminded of time passing. Our posessions, she suggests, support these routines:”The things that belong to us are, as it were, solidified habits, the mark of certain repetitive forms of repetitive behaviour. The posession of a garden means being able to take one’s walk every afternoon: this armchair is waiting for me to sit in it every evening.” (De Beauvoir, S. (1970) La Viellese (tr.Old Age (1972).